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Art galleries and surveys: 2 things I dig

Art Gallery of NSW - interior

I’ll admit: I’m like a moth to a flame when it comes to surveys. Send me a survey about art and art galleries — ONLY two of my favourite topics of like — and that’s like a moth to an INFERNO. Wrong analogy now, but the point is: I just filled out a survey from the Art Gallery of NSW by Pollinate, and it was the most fun I’ve had filling out a survey ever.

I’ll never see the results of that survey, or what I typed in again, so I just wanted to preserve a couple of things I wrote here.

Why do I like the Art Gallery of NSW?

It’s hard to overstate how much I appreciate AGNSW as a place of reflection, mental and emotional refilling-of-the-tanks refreshment.

I use it as a place to teach my kids about art, and the issues that art and artists bring to the fore. We’ve worked out a lovely routine where I can stand for ages in front of some paintings in an exhibition, and my wife and kids can go through at an — ahem — faster pace, and then I meet them in your cafĂ© afterward. It’s an all-round relaxing and harmonious experience.

It is noisy, clashy, quiet, calm, fresh, ancient, exotic, familiar… all in the right amounts.

I regularly stand in front of the Arthur Streetons and Sydney Longs, and worship them. I walk amongst the works of art in that section and feel like I’m among friends. There’s dusty greens and parched desaturated fuchsias that quite honestly are like a litre of guarana to my core.

I’m a painter myself, and I regularly go for inspiration, challenging and learning. Each time I want to get into a new area of art — like Asian art, for example — I find that AGNSW has it covered in some way. So your gallery is like my brain laid out in a physical space: there are some parts that have a lot of my foot traffic, and other parts I’ve really yet to discover.

And isn’t that like all of our brains, really?

Ideas for making me come back to the gallery more often?

  • Be open more in the evening
  • One-off painting/drawing/sketching/sculpture/calligraphy/etc how-to technique classes
  • One-off art theory classes, about specific topics/periods/hot issues, e.g. the Big Milk Crate got excoriated in the media, so how about an evening that educates about modern art thinking in sculpture that would have lead to that work?
  • A cruisy evening bar to meet friends at for a drink amongst a rotating collection of salon-style artwork. You could even have theme nights, like French fin de siecle or 40s New York
  • Roaming ‘art experts’, maybe even with an approachable tag on them, to ask questions about artworks. I know there’s a lot of staff around, but they seem to be there to only make sure noone does anything stupid.
  • Pop-up kids activity spots, just like the Chinese New Year monkey craft thing you had, that was awesome
  • Have ‘real live artists’ at work that people can gather around and watch. Watching art in the making is absolutely bewitching and accessible at the same time.
  • The kids’ activity books for specific exhibitions are great; having ‘adult’ versions for the regular exhibitions would be brilliant
  • Have pop-up stands that relate modern topical hot issues to the artwork around them, e.g. imagine having something that draws attention to 19th/early 20th century Australian artists’ (I’m thinking Heidelberg here) appreciation for the Australian landscape contrasted with images of mining companies’ maps of similar places marking out possible deposits of coal/etc to go and frack. It’s not trying to take a moral position, but it’s using different imagery to portray different people’s assessment of value. I’ll stop now… this is getting into the sort of stuff *I* like to create ;)

 

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